Monthly Archives: April 2011

Nothing short of fantasical

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It looks like the ever-popular animated GIFs (that I adored when I first started making websites at 15) have grown up into something rather magical. Jamie Beck‘s cinemagraphs at first look like a regular photograph until you do a double take when you realize that not all is as it seems – they move! I can’t help but adore these and, of course, I’m filled with curiosity as to how they’re made. I can imagine the slew of possibilities that this photo technique can create.

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Spring Forward

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I’ve been mildly obsessed with this gorgeous photo of ranunculus flowers by Jessica Nichols ever since they popped up on my Pinterist feed last week, where they were pulled from Poppytalk. The flowers in and of themselves are spectacular, but the combination of colors against that fabulous blue-grey background ups the ante for me. And so, I couldn’t resist pulling some of those colors out for our admiration.

Today also happens to feel so amazingly spring-y that I wound up decking my hair out in flowers on a whim to celebrate. At first I was just playing with a mega high bun to pair with my gleefully bare shoulders; then came a little headband (which I need to find in more colors); one flower, the orchid; and then! why not circling my bun in them?A sort of little tiara of flowers. It’s my first time doing it, so I may need to experiment more, and maybe find some new flowers. But definitely a fun prospective springtime little ‘do.

Here, there, everywhere

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I always find it kind of funny when two reasonably unrelated things attract me, and then eventually it clicks that oh these two things might look mighty fine together.

Just today, about 20 minutes ago as it happens, I stumbled upon Mona Simon‘s photographs of Transylvania’s traditional Roma (aka gypsy) population and was immediately struck by the vibrant colors and patterns of the community.

Then I remembered seeing Pamela Bennett Ader‘s paintings:

The flowers on their own are, of course, beautiful, but I’m certainly delighted and intrigued by the integration of the little color swatches within the painting. We’ve all become accustomed to seeing color swatches attached to artwork, pulling out their colors and giving them special attention. It’s interesting to see them incorporated into a fine art status and I find that it brings a sense of modernity to the work in addition to bringing attention to the beautiful colors themselves and drawing the viewers into the artistic process.

And then I found myself grouping them together in my mind. I think it has something to do with both the nature of the colors in both selections of work and perhaps the combined/collage-y elements.

I don’t know, but it works, doesn’t it? Click on the links above to see more :).